Theatre

Inequality and sexual politics in the workplace are common themes in the theatre today, but not something you would expect from a 1930’s play. However, London Wall, at the Abbey Theatre from next week, is set in a City solicitor’s office at that time. It’s a fascinating and touching play that strongly evokes the atmosphere of the time, and the concerns of working women.

Things I Know to be True, by the critically acclaimed playwright Andrew Bovell in conjunction with Frantic Assembly theatre company, is the touching, funny and visceral next production by the Company of Ten. It is a complex and intense portrait of the mechanics of a family, and a marriage, through the eyes of four siblings struggling to define themselves beyond their parents’ love and expectations.

This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.

The stage is set, the countdown has started, stand by everyone because Roald Dahl’s splendiferous swizzfiggling story George’s Marvellous Medicine is arriving any minute on the Abbey Theatre stage. The Company of Ten’s gloriumptious Christmas show is a feast of eye-popping feats, outrageously funny situations and hilarious characters as only the master storyteller himself could come up with.

The Abbey Theatre's Christmas production, A Christmas Carol, opened on Saturday to capacity audiences. Many performances are already sold out, with availability largely limited to the end of the run. Charles Dickens’ tale was first told in 1843 has been adapted many times for the stage and screen. This colourful version is designed for all the family, featuring music, comedy and a young cast that shows great versatility, with many of them playing several roles.

Family relations don’t come much more painful than those depicted in Sophocles’ standout story of revenge Electra. And the two-and-a-half thousand year-old play about honour, justice and vengence will be the Company of Ten’s next production. This highly accessible version by Kenneth McLeish uses clear modern language and themes to ensure a rich theatrical experience for today’s audiences, who will recognise the idea of expedient, vengeful killing from current news stories.

Another strong production by The Company of Ten. Well acted and staged. High quality theatre. This is a play that The Company of Ten should be highly suited to and indeed they are! All the main characters are credible and well-acted by the cast. The costumes and scenery are spot on in achieving a look and feel of a pre-war English country house. A very enjoyable and entertaining evening. Highly recommended, running till October 20th.

I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.

The Red Hot Chilli Pipers and Red Hot Chilli Dancers come to St Albans – Alban Arena on Friday 14th June 2024. In 2023 and 2024 the Red Hot Chilli Pipers will embark on a world tour to celebrate their 20th anniversary. The tour will be accompanied by the release of a first Best Of Live album in the Spring of 2023, featuring new recordings of all their best loved tunes and songs. The Pipers will be accompanied on the tour by the amazing Red Hot Chilli Dancers….It really is a sizzling show!

Office politics take a dramatic turn at the Abbey Theatre Studio next week, with their production of Bull, a powerful play about workplace bullying, written by Mike Bartlett. Three colleagues, Thomas, Isobel and Tony, gather together before an important meeting with their manager, Carter. The company is downsizing, and one of the three is about to lose their job. It soon becomes apparent that Isobel and Tony have decided Thomas will be the sacrificial lamb, as they begin a barrage of insults, innuendo and uninvited physical contact, aimed at undermining and overwhelming him.