Theatre

This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.

Inequality and sexual politics in the workplace are common themes in the theatre today, but not something you would expect from a 1930’s play. However, London Wall, at the Abbey Theatre from next week, is set in a City solicitor’s office at that time. It’s a fascinating and touching play that strongly evokes the atmosphere of the time, and the concerns of working women.

Kenneth Grahame’s enduring tale of Mole, Ratty, Badger, Mr Toad, and their many friends, comes to the Abbey Theatre this Christmas. This stage version of The Wind in the Willows, by Alan Bennett, with additional lyrics and music by Jeremy Sams, caused a popular sensation when it first appeared at The National Theatre in 1990. It has since become a classic in its own right.

The stage is set, the countdown has started, stand by everyone because Roald Dahl’s splendiferous swizzfiggling story George’s Marvellous Medicine is arriving any minute on the Abbey Theatre stage. The Company of Ten’s gloriumptious Christmas show is a feast of eye-popping feats, outrageously funny situations and hilarious characters as only the master storyteller himself could come up with.

Office politics take a dramatic turn at the Abbey Theatre Studio next week, with their production of Bull, a powerful play about workplace bullying, written by Mike Bartlett. Three colleagues, Thomas, Isobel and Tony, gather together before an important meeting with their manager, Carter. The company is downsizing, and one of the three is about to lose their job. It soon becomes apparent that Isobel and Tony have decided Thomas will be the sacrificial lamb, as they begin a barrage of insults, innuendo and uninvited physical contact, aimed at undermining and overwhelming him.

Another strong production by The Company of Ten. Well acted and staged. High quality theatre. This is a play that The Company of Ten should be highly suited to and indeed they are! All the main characters are credible and well-acted by the cast. The costumes and scenery are spot on in achieving a look and feel of a pre-war English country house. A very enjoyable and entertaining evening. Highly recommended, running till October 20th.

The next production by the Company of Ten will take audiences back to the 1970’s, with one of the best loved comedies of the time, Abigail’s Party by Mike Leigh. Like most of Leigh’s projects, Abigail’s Party was devised by the cast developing their characters and the story through improvisation.

I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.

Bugsy Malone Live is based on the 1976 hit musical gangster comedy film Bugsy Malone. The film centres around the grit and glamour of 1920’s New York, Chicago and the exploits of real-life gangsters and molls – but the cast were all child actors. QYT are holding Open Auditions for budding young performers aged between 7 and 25 years on Sunday 8th July at the Hertford Theatre, The Wash, Hertford, SG14 1PS. Doors will open for registration at 10.30am for what will be a fun-packed, exciting day running from 11am to 3.30pm.

Touring theatre company Peppermint Muse has made a bold choice with its next production, Death and Dancing, which is coming to St Albans in the first week of February. Written by Claire Dowie, who based the play on some of her original stand-up comedy material, Death and Dancing is set against the backdrop of eighties sexual politics. It is a fast and furious comedy that attacks conventional notions of gender and labelling.