I must admit that this is not a play that I was familiar with, but some research showed that the lead role was performed by Mark Rylance originally, for which he won many awards and the play many plaudits. The play has a reputation for being, shall we say 'edgy', due to the adult content, including frequent strong language. An interesting and laudable choice for a local theatre group. The play revolves around the character of Johnny ‘Rooster’ Byron, played by Marlon Gill. A loner, living in a caravan close to a new Housing estate, the residents of which would like to see the back of him. A larger-than-life character, living on the edge of the law.
Jerusalem, the anthem of the Women’s Institute, and popular hymn, is a symbol of England and its “Green and Pleasant Land”. Jerusalem the play, written by St. Albans local Jez Butterworth, is a completely different kettle of fish. First performed at The Royal Court in 2009, to great acclaim, it is set in the archetypal English village of Flintock, in the heart of Wiltshire, and covers twenty four hours in the life of Johnny “Rooster” Byron.
Celebrate the music of Franki Valli and The Four Seasons with Frankie’s Guys. This fast-paced, energetic production brings the talented foursome to theatres across the UK to relive an era of timeless classic hits.
I was pleasantly surprised to find out that a local group was to perform 'Spamalot'. St. Albans Musical Theatre (previously known as St Albans Operatic Society) have been producing high-quality productions for some years now and I must say expectations were high. St. Albans is blessed with many high-quality amateur and professional performers (being located close to London being one of the main reasons), as well as directors and choreographers.
Join Rich Hall and his virtuoso musical mates for a mash-up of music, comedy and gratuitous coloration as they return this spring with a UK tour of Rich’s infamous ‘Hoedown’ in spring 2017. In addition to two nights at the Glasgow International Comedy Festival (17th - 18th March) and four nights at London’s Leicester Square Theatre (5th - 8th April), Rich’s Hoedown will be touring the UK from March until July this year. The floor will reek of liquor and spent dreams.
Office politics take a dramatic turn at the Abbey Theatre Studio next week, with their production of Bull, a powerful play about workplace bullying, written by Mike Bartlett. Three colleagues, Thomas, Isobel and Tony, gather together before an important meeting with their manager, Carter. The company is downsizing, and one of the three is about to lose their job. It soon becomes apparent that Isobel and Tony have decided Thomas will be the sacrificial lamb, as they begin a barrage of insults, innuendo and uninvited physical contact, aimed at undermining and overwhelming him.
Kenneth Grahame’s enduring tale of Mole, Ratty, Badger, Mr Toad, and their many friends, comes to the Abbey Theatre this Christmas. This stage version of The Wind in the Willows, by Alan Bennett, with additional lyrics and music by Jeremy Sams, caused a popular sensation when it first appeared at The National Theatre in 1990. It has since become a classic in its own right.
I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.
The next production by the Company of Ten will take audiences back to the 1970’s, with one of the best loved comedies of the time, Abigail’s Party by Mike Leigh. Like most of Leigh’s projects, Abigail’s Party was devised by the cast developing their characters and the story through improvisation.
Inequality and sexual politics in the workplace are common themes in the theatre today, but not something you would expect from a 1930’s play. However, London Wall, at the Abbey Theatre from next week, is set in a City solicitor’s office at that time. It’s a fascinating and touching play that strongly evokes the atmosphere of the time, and the concerns of working women.