This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.
Family relations don’t come much more painful than those depicted in Sophocles’ standout story of revenge Electra. And the two-and-a-half thousand year-old play about honour, justice and vengence will be the Company of Ten’s next production. This highly accessible version by Kenneth McLeish uses clear modern language and themes to ensure a rich theatrical experience for today’s audiences, who will recognise the idea of expedient, vengeful killing from current news stories.
Another strong production by The Company of Ten. Well acted and staged. High quality theatre. This is a play that The Company of Ten should be highly suited to and indeed they are! All the main characters are credible and well-acted by the cast. The costumes and scenery are spot on in achieving a look and feel of a pre-war English country house. A very enjoyable and entertaining evening. Highly recommended, running till October 20th.
Bugsy Malone Live is based on the 1976 hit musical gangster comedy film Bugsy Malone. The film centres around the grit and glamour of 1920’s New York, Chicago and the exploits of real-life gangsters and molls – but the cast were all child actors. QYT are holding Open Auditions for budding young performers aged between 7 and 25 years on Sunday 8th July at the Hertford Theatre, The Wash, Hertford, SG14 1PS. Doors will open for registration at 10.30am for what will be a fun-packed, exciting day running from 11am to 3.30pm.
I must admit that this is not a play that I was familiar with, but some research showed that the lead role was performed by Mark Rylance originally, for which he won many awards and the play many plaudits. The play has a reputation for being, shall we say 'edgy', due to the adult content, including frequent strong language. An interesting and laudable choice for a local theatre group. The play revolves around the character of Johnny ‘Rooster’ Byron, played by Marlon Gill. A loner, living in a caravan close to a new Housing estate, the residents of which would like to see the back of him. A larger-than-life character, living on the edge of the law.
Jerusalem, the anthem of the Women’s Institute, and popular hymn, is a symbol of England and its “Green and Pleasant Land”. Jerusalem the play, written by St. Albans local Jez Butterworth, is a completely different kettle of fish. First performed at The Royal Court in 2009, to great acclaim, it is set in the archetypal English village of Flintock, in the heart of Wiltshire, and covers twenty four hours in the life of Johnny “Rooster” Byron.
Celebrate the music of Franki Valli and The Four Seasons with Frankie’s Guys. This fast-paced, energetic production brings the talented foursome to theatres across the UK to relive an era of timeless classic hits.
I was pleasantly surprised to find out that a local group was to perform 'Spamalot'. St. Albans Musical Theatre (previously known as St Albans Operatic Society) have been producing high-quality productions for some years now and I must say expectations were high. St. Albans is blessed with many high-quality amateur and professional performers (being located close to London being one of the main reasons), as well as directors and choreographers.
Join Rich Hall and his virtuoso musical mates for a mash-up of music, comedy and gratuitous coloration as they return this spring with a UK tour of Rich’s infamous ‘Hoedown’ in spring 2017. In addition to two nights at the Glasgow International Comedy Festival (17th - 18th March) and four nights at London’s Leicester Square Theatre (5th - 8th April), Rich’s Hoedown will be touring the UK from March until July this year. The floor will reek of liquor and spent dreams.
Office politics take a dramatic turn at the Abbey Theatre Studio next week, with their production of Bull, a powerful play about workplace bullying, written by Mike Bartlett. Three colleagues, Thomas, Isobel and Tony, gather together before an important meeting with their manager, Carter. The company is downsizing, and one of the three is about to lose their job. It soon becomes apparent that Isobel and Tony have decided Thomas will be the sacrificial lamb, as they begin a barrage of insults, innuendo and uninvited physical contact, aimed at undermining and overwhelming him.