OVO shines once again!

1
367

A few years ago, I asked Imogen de la Bere what she would consider to be the essence of life.Truth‘ was her reply. Interestingly, the OVO philosophy of theatre is that the ’emotional truthfulness of the acting should supply everything.’

There is no doubt that this passion and philosophy for truth has shone through in Imogen’s latest play, Chekov’s Three Sisters at  OVO Theatre.  I don’t know a great deal about the Russia of early 1900 but it just took a few minutes of feeling the misery of the actors to know that things were pretty bleak and desperate.

The cast were incredibly credible (especially Anna Franklin and Jo Emery) and I loved the mixture of despair, longing and fun with music interweaving throughout. Passion also  plays a large part in Three Sisters and this was simply heart-melting………By the end I had to remind myself that I was in St Albans not Russia!!  The upstairs bar (which just had to be inspected) served divine wine and as a bonus, I could sit by the window in this lovely bar-with-a-view!

Notes; Three Sisters  continues until 27th November (excl 22nd/23rd) at the OVO Theatre in Pudding Lane, St Albans. Prices range between £7.50 – £12.50 and online bookings on www.ovo.org.uk  / tel 07807 521436

SHARE
Previous articleSuperman Chris Corbould scoops Honorary Degree
Next articleReady for St Albans Pantomime Season!
Maria Larmer lives in St Albans and is married with four children. She works as a Freelance Writer, English Language Teacher and Teaching Assistant. She has lived in Auckland, New Zealand for 9 years and prior to that in France, Germany, Austria, Edinburgh, London and Ireland. Her diary-writing has featured on 'The Wild Geese' Channel 4 and Radio Verulam. She has written for Hertfordshire Life magazine, Go Camping magazine, Camping magazine, The Catholic Times, St Albans & Harpenden Review, New Zealand Times, The New Beacon, My Weekly and various websites. She can be contacted on maria.larmer@ntlworld.com
  • Bess Teacher

    Were we watching the same play? The director claimed to want to free the play from the stultifying atmosphere of a 19th century drawing room. In this she failed. The overall feeling of overwhelming tiredness and hopelessness left me feeling pretty flat. By & large the performances were good, but Anna Franklin’s Masha was far too sweet. I would have liked to see Alison Wright as Masha & Anna as Olga. And what was that swing doing there? It was not used to any particular effect. And the floor covering caused problems for several actors – three of them caught their feet in it the night I went. Disappointing overall.