REVIEW – Talking Heads at The Maltings Theatre
I am old enough to remember the original TV versions of the Talking Heads monologues by Alan Bennett. They were gentle and bittersweet, often with a few surprising twists. The Play's The Thing theatre company brought their production, featuring 2 of the most iconic monologues - A lady of Letters & Soldiering On - to the Maltings theatre as part of their regional tour.
The Producers at The Radlett Centre October 2017 – REVIEW
I have been a fan of the film since childhood. Very much a period piece of the 1960s, with a career defining performance by Zero Mostel as Max Bialystock. So inventive, irreverant and outrageously funny. A lot for the stage show to live up to and on-the-whole, it did.
ABBA Forever at the Radlett Centre October 2017 – REVIEW
Reviewing a tribute band will always be difficult. Do they sound as good as the original? Do they look the part? Thankfully ABBA Forever came up positive on all these points and I believe the sold-out crowd at the Radlett Centre would back me on this.
Jackson Live in Concert with CJ at The Radlett Centre, March 10th 2019 –...
Arriving at the Radlett Centre, there is a buzz of excitement as fans of all ages; including, parents, children and their grandparents, hang out in the auditorium waiting for the event to begin.CJ is one of the most experienced, dedicated and well-respected Michael Jackson tribute artists and he perfectly captures the electrifying energy of Michael Jackson’s live performances with the look, the voice and the moves!This evening, CJ, with his band, backing singers and incredible dancers, recreated a spectacular performance of his favourite Michael Jackson songs with great lighting display, visual imagery and audio clips taken from Michael’s professional life.
Think Floyd at The Radlett Centre January 2017 – REVIEW
I've seen Think Floyd a few times now and they never disappoint. Of course playing the music of Pink Floyd means you have an amazing musical back catalogue to work through. And for the 50th anniversary of Pink Floyd they did just that, playing something from each album. Personally I have little love for the very earliest and latest albums in their history, but it made for an opportunity to hear some pieces that I had long since forgotten. I could happily just have Dark Side of The Moon and Wish You Were Here back to back and go home smiling, so I suppose good to make me broaden my horizons.
Petty Criminals – Tom Petty and The Heartbreakers Tribute at The Rose and Crown,...
There are hundreds of would-be Sinatras and Bowies roaming the UK and earning a very good living but tribute acts playing the music of Tom Petty and the Heartbreakers are a little thin on the ground. Even rarer is a group of musicians who are perfectionists and go to great lengths to recreate the impressive, tuneful rock music created by the singer-songwriter-musician from Gainesville in Florida. Petty died one year ago at the relatively young age of 66 but his music will live on for future generations.
Electra at the Abbey Theatre, St. Albans. November 2018. REVIEW
This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.
Cats at The Radlett Centre March 2018 – REVIEW
The latest production by the Radlett Musical Theatre Company is one of the first amateur productions of the hugely popular musical ‘Cats’. The RMTC seem to be making a habit of choosing an eclectic range of material for their shows. Their recent staging of ‘The Producers’ was an inspired choice, with the emphasis on slapstick comedy and well-defined lead characters, with a great plot and spectacular set pieces. ‘Cats’ is a very different beast (no pun intended).
Abigail’s Party at the Abbey Theatre Review
I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.











