Spamalot at The Alban Arena April 2017 – REVIEW
I was pleasantly surprised to find out that a local group was to perform 'Spamalot'. St. Albans Musical Theatre (previously known as St Albans Operatic Society) have been producing high-quality productions for some years now and I must say expectations were high. St. Albans is blessed with many high-quality amateur and professional performers (being located close to London being one of the main reasons), as well as directors and choreographers.
Abigail’s Party at the Abbey Theatre Review
I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.
Petty Criminals – Tom Petty and The Heartbreakers Tribute at The Rose and Crown,...
There are hundreds of would-be Sinatras and Bowies roaming the UK and earning a very good living but tribute acts playing the music of Tom Petty and the Heartbreakers are a little thin on the ground. Even rarer is a group of musicians who are perfectionists and go to great lengths to recreate the impressive, tuneful rock music created by the singer-songwriter-musician from Gainesville in Florida. Petty died one year ago at the relatively young age of 66 but his music will live on for future generations.
REVIEW – Darkside Live at The Eric Morecambe Centre, Harpenden
Review of the recent show by Darkside, Pink Floyd tribute show, at The Eric Morecambe Centre in Harpenden. Excellent show by an experienced and passionate tribute band that did justice to the music and legacy of one of the greatest rock bands of all time.
Electra at the Abbey Theatre, St. Albans. November 2018. REVIEW
This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.
Dangerous Corner at the Abbey Theatre REVIEW
Another strong production by The Company of Ten. Well acted and staged. High quality theatre. This is a play that The Company of Ten should be highly suited to and indeed they are! All the main characters are credible and well-acted by the cast. The costumes and scenery are spot on in achieving a look and feel of a pre-war English country house. A very enjoyable and entertaining evening. Highly recommended, running till October 20th.
REVIEW – Talking Heads at The Maltings Theatre
I am old enough to remember the original TV versions of the Talking Heads monologues by Alan Bennett. They were gentle and bittersweet, often with a few surprising twists. The Play's The Thing theatre company brought their production, featuring 2 of the most iconic monologues - A lady of Letters & Soldiering On - to the Maltings theatre as part of their regional tour.
Absolute Bowie at The Harpenden Halls March 2017 – REVIEW
I never got round to seeing David Bowie live and of course I never will now, so the opportunity to see a highly-rated tribute act on my doorstep was not to be missed. The sound at the Harpenden Halls has been pretty ropey in the past, but from the first notes it was clear that this band had their own PA and had made an effort to get the sound right. The show consisted of two sets, with the first one comprising of songs from his great period in the early seventies - Hunky Dory, Ziggy Stardust and Aladdin Sane. The costumes and sound was pretty much spot on. The band were note perfect and classic after classic followed.
The Producers at The Radlett Centre October 2017 – REVIEW
I have been a fan of the film since childhood. Very much a period piece of the 1960s, with a career defining performance by Zero Mostel as Max Bialystock. So inventive, irreverant and outrageously funny. A lot for the stage show to live up to and on-the-whole, it did.











