Reviews

This was the first time I had seen a performance in the studio part of the Abbey Theatre. I must say I liked the intimacy this created. Allowing the audience to feel a part of the production, almost. The play is quite short, in two acts of 45-50 minutes or so and this felt right. All the dialogue and action had meaning and impact.

I've seen Think Floyd a few times now and they never disappoint. Of course playing the music of Pink Floyd means you have an amazing musical back catalogue to work through. And for the 50th anniversary of Pink Floyd they did just that, playing something from each album. Personally I have little love for the very earliest and latest albums in their history, but it made for an opportunity to hear some pieces that I had long since forgotten. I could happily just have Dark Side of The Moon and Wish You Were Here back to back and go home smiling, so I suppose good to make me broaden my horizons.

There was a real family affair at the Alban Arena on January 20th. Friends, family and fans of the late great rock musician Jim Rodford gathered at the theatre to pay tribute to a local hero. At the side of the stage under a spotlight was a poignant reminder of the musician who had died in St Albans 12 months earlier – his bass guitar and hat.

I was pleasantly surprised to find out that a local group was to perform 'Spamalot'. St. Albans Musical Theatre (previously known as St Albans Operatic Society) have been producing high-quality productions for some years now and I must say expectations were high. St. Albans is blessed with many high-quality amateur and professional performers (being located close to London being one of the main reasons), as well as directors and choreographers.

I never got round to seeing David Bowie live and of course I never will now, so the opportunity to see a highly-rated tribute act on my doorstep was not to be missed. The sound at the Harpenden Halls has been pretty ropey in the past, but from the first notes it was clear that this band had their own PA and had made an effort to get the sound right. The show consisted of two sets, with the first one comprising of songs from his great period in the early seventies - Hunky Dory, Ziggy Stardust and Aladdin Sane. The costumes and sound was pretty much spot on. The band were note perfect and classic after classic followed.

I was lucky enough to be invited to sample Champneys new product lines at their Spa in St. Albans. They were launching a new range - Mediterranean Bliss Treatments, which are also available in Boots apparently.

I still have strong memories of watching Abigail's Party on the BBC back in 1977. I was a young teenager and alternately bemused, amused and appalled at what I saw and heard. It left a lasting impression and I have followed the work of Mike Leigh and Alison Steadman ever since. It is not the safest of choices for a local theatre, although it can be hilarious in places, the characterisation is very strong and the reputation of the original production is so strong that any new production has a lot to live up to.

I am old enough to remember the original TV versions of the Talking Heads monologues by Alan Bennett. They were gentle and bittersweet, often with a few surprising twists. The Play's The Thing theatre company brought their production, featuring 2 of the most iconic monologues - A lady of Letters & Soldiering On - to the Maltings theatre as part of their regional tour.

Reviewing a tribute band will always be difficult. Do they sound as good as the original? Do they look the part? Thankfully ABBA Forever came up positive on all these points and I believe the sold-out crowd at the Radlett Centre would back me on this.