stalbanslife

A St Albans-based theatre director and magician has spoken of the ‘tremendous success’ of his latest endeavour, which appeared on Primetime TV on Saturday night.

Tony Middleton, AKA Sonic, has worked closely with world-class magician Chris Dugdale for many years, and the two performed an astounding feat on ITV’s Penn & Teller: Fool Us.

Sonic was particularly pleased with the reaction they got from Jonathan Ross, who hosts the program. He said “The show was a tremendous success. Jonathan Ross couldn’t believe his eyes, and Penn & Teller said they would be very proud to perform the trick in their own show.”

The trick involved Chris Dugdale directing two volunteers in a prediction routine from a projected screen, only to reveal he was one of the selected volunteers and was wearing a mask and disguise. According to Penn, this trick was “worthy of Mission Impossible.”

Although the routine did not win a trip to Las Vegas, it won critical acclaim on, among others, social media site Twitter. Users praised the original routine saying “wow”, “unbelievable” and “best trick of the whole series.”

The duo are now opening a show, “2 Faced Deception”, in the Leicester Square Theatre in London’s West End, running from 13th September to 1st October. Director Sonic is also completing his book for magicians entitled ‘Performing Magic; a Handbook on Performance for Magicians, with a forward by veteran magician Paul Daniels.

Until then, Sonic can be seen every Sunday from 1pm at the Veer Dhara Indian Restaurant in St Peters Street, St Albans. These weekly spots are growing ever popular so don’t miss out!

For more information or to book Sonic for your private party, wedding or corporate event, please visit www.sonicmagic.co.uk

St. Albans is rapidly acquiring a reputuation as a good venue for comedy gigs. The Alban Arena frequently gets national names to visit and perform. We now even have our very own comedy ‘festival’ annually, with Laughs in the Park. Now I wouldn’t say it is anywhere near Glastonbury’s exalted position in the national psyche, but as it’s only the second year of existence, it still has time.

Like last year, the main attraction is Eddie Izzard, but this year ably supported by Ross Noble and Tommy Tiernan. The compere duties were given to Ross Noble on the day we attended, which worked well as his surreal take on life enabled him to run with ideas and events thrown at him and then bring back ideas and references into later material.

First of the ‘main’ acts was Tommy Tiernan, one of Ireland’s top comedians, but little known over here. A high energy performer that enjoyed running with ideas at breakneck speed. Lots of laugh out loud moments and an impressive set. The usual topics of family, aging and religion got the Tiernan treatment. He wouldn’t be an Irish comic if he didn’t rip into the Catholic Church. Easy target these days, but he was still able to find a few new twists.

Last up was Eddide Izzard, fast becoming a national institution after his marathon heroics of a couple of years ago and all-round nice guy persona. I saw him back in the 90s when he was somewhat infamous for his cross-dressing and surreal humour. I really like Eddie Izzard, but like his 90s shows, I rarely had laugh out loud moments. Very amusing, but not memorable.

Finally we had the fireworks, withh all the acts wandering through the crowd to get a prime view. They were not disappointed. So overall a good evening out at an event with a lot of potential for the coming years. Food deserves a special mention, varied choices and my burrito was fab. Looking forward to next year already. maybe my namesake Tim Minchin could be added to the bill?

The name Battle Proms comes from the Battle Symphony by Beethoven.  On an annual basis, this popular event takes place on the grounds of 400 year old Hatfield House, home of the 7th Marquess of Salisbury.

The whole concept of ‘Prom’  is to increase the popularity of classical music by playing at an informal setting, in which crowds can move around, eat, dance or whatever they choose. I performed all four actions last Saturday as I absorbed myself  in this charismatic event for the third time.

The crowd varied from young children to 90 year olds. We enjoyed everything from the beautiful orchestral pieces of music, the Napoleonic camp, the traditional fairground, a Diablo winestand but my personal favourites were the Infantry Displays (truly outstanding and a must-see) and the ever amazing 1812 Overture with its live canon fire.

The Sailor’s Hornpipe and Jerusalem brought a huge reaction (and maybe a joyfully patriotic tear or two!)  from the crowd, as did Elgar’s Pomp and Circumstance March No 1.  The Grace Spitfire (which served in World War II) did acrobatics overhead as the orchestra played appropriate music in the background. I am not a fan of warplanes but this Spitfire experience sent shivers down my spine. And did I mention the fireworks? I must have taken about 50 photos of them in my desperation to capture the brilliant effect!

My children are pop music fans but have always enjoyed the Battle Proms, especially when the sun sets and little lights appear everywhere. My 12 year old said ‘I love  the sense of community and the way the crowd is so enthusiastic.’

If you want to share your experiences of Battle Proms, please add your comment below.

To note;  Hatfield House is twenty minutes from St Albans town centre. Good bus connections. More information on www.battleproms.com and Hatfield House events; www.hatfield-house.co.uk

Romantic Russian music comes to St Albans Abbey on Saturday June 25th with performances of some of the most colourful and passionate scores ever composed for orchestra (7.30pm). Yet neither of the major works featured by St Albans Symphony Orchestra in its Festival Concert under conductor Bjorn Bantock is as totally Russian as it seems.

Pictures at an Exhibition was composed for the piano by Mussorgsky in 1874 as a musical realisation of paintings by Victor Hartmann, an architect friend who had recently died. But the suite’s enduring popularity is largely due to the brilliant orchestration of the work that the French composer Ravel made in the 1920s – not least its stirring finale depicting The Great Gate of Kiev. Other pictures famously include a ballet of canary chicks hatching from their eggs and the fearsome witch Baba Yaga hunting children from her hut on fowl’s legs

Rachmaninov’s Second Symphony takes listeners on another tuneful and richly orchestrated journey that leads from brooding melancholy to an ardently lyrical slow movement and a  triumphant finale. Although premiered in the composer’s homeland in 1908, the symphony was actually written in Germany, during a period of self-imposed exile. Like the Second and Third Piano Concertos, its melodic inspiration has made it a firm favourite with audiences.

Completing SASO’s Festival programme will be The Enchanted Lake, a tone poem by a third Russian composer, Liadov. Although never able to fulfil his potential as a composer, his short musical account of a misty, moonlit lake is delicate and highly atmospheric.

Tickets price £20, £16 and £12 (reserved), £10 (unreserved), £1 (accompanied children) and £5 (students) are available from the SASO Ticket Secretary (01727 857422), from the Abbey Box Office (01727 860780) or from allaboutstalbans.com.

Written by David Utting, SASO